Discussion of "Thou Shalt Not Kill (3)" by curly_stare
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theblackhand 6 months ago
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In chapter two Adara (not Aldra) was leaving her office at the end of the chapter as if headed out on a mission. To find her daughter presumably. |
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nashvillebecker 6 months ago
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This critique crept onto the page, scraping unintelligible marks into cohesive signs, a road map to Storyville. Nothing like an abstract metaphor to open a story. Me likey. Hard boiled-like. It took me a second read to realize it was indeed Adara you were referring to. I couldn’t decide if it was the killer (also a woman?) or someone else. I was also confused how Adara moved from her front porch into her car. In contrast to your articulated, lush imagery, the shift was harsh. |
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Persephonie 6 months ago
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I think we lost a day in there, somewhere. And we missed the whole story about Paige. I think it would have worked better if the detective showed up prior to Adara driving to Paige's rescue. It would have been the perfect opportunity for her to tell him what she had dreamt the night before and what was going on with her daughter. I DID really like the detective character. Bold. No B.S. We still have no murder and no leads. |
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honeygloom 6 months ago
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I’m, confused. Does the first paragraph just gloss over Paige’s rescue??? That’s sort of anti-climactic. I do like the opening though, it just doesn’t seem to fit here plot-wise. You have a number of great lines actually, “My very own sea urchant of discomfort chartering waters of my abdomen.” It’s ‘urchin’ but this a really good, concrete visual image for something more emotional. I did find myself a little jarred by the sudden shifts in scenery, even a little asterisk would help visually let the reader know that scenery is changing. I like the creepy detective, but I don’t see what’s so bad about the doctor’s card being on her patient’s person. Is he just trying to intimidate her into helping him? He’s definitely a strange detective. |
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